A Renaissance magus’s studiolo with an armillary sphere, a celestial globe and a tall arched window
Archive illustration commissioned for Sophia Aporrheta

The Renaissance Magic Path

From Florence’s rediscovery of Hermes to Agrippa’s encyclopedia of magic.

6 stagesIntroductionFoundationPrimary SourcesDevelopmentAdvanced Study

In the late fifteenth century Florentine scholars recovered the Hermetic texts and Neoplatonic philosophy, and a learned magic grew from them: natural magic that worked through sympathies, celestial magic of images and music, and an angelic magic that reached toward the divine.

This path follows that current from its philosophical beginnings to its great systematic statement in Agrippa and its later explorers.

Who This Path Is For

Readers who want to understand the learned magic of the Renaissance from its sources, not from later occult summaries.

The Syllabus

3
Primary Sources

The philosophy of the magus

Pico della Mirandola’s 900 Conclusions joined Plato, Hermes and Kabbalah; Of Being and Unity shows his philosophical method.

4
Primary Sources

The great synthesis

Agrippa’s Three Books of Occult Philosophy: natural, celestial and ceremonial magic organised into one system. The central text of the path.

5
Development

Natural magic and the art of memory

Della Porta’s Natural Magick shows the experimental side; Bruno’s Cantus Circaeus the magical art of memory.

Natural magick

Porta, Giambattista della, approximately

Natural magick

Porta, Giambattista della, approximately

English · Occult Philosophy

Cantus Circaeus

Giordano Bruno

Cantus Circaeus

Giordano Bruno

English · Occult Philosophy

6
Advanced Study

Angels and hieroglyphs

Dee’s Monas Hieroglyphica and Trithemius on the planetary intelligences: the period’s most ambitious speculations.

Companion Reading

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