A Renaissance scholar’s table with an astrolabe, a globe and open folios
Archive illustration commissioned for Sophia Aporrheta

Renaissance Magic

The magus as philosopher: learned magic of the sixteenth century.

Renaissance magic was a scholar’s art. Drawing on newly translated Hermetic and Neoplatonic texts, writers like Heinrich Cornelius Agrippa and Paracelsus reimagined magic as a natural philosophy that linked the stars, the elements and the human soul through a chain of sympathies.

This room holds the primary works and their later reception, above all Francis Barrett’s The Magus (1801), which re-packaged Agrippa for the English occult revival and became a hinge between the Renaissance and the Golden Dawn.

Begin with Agrippa’s Three Books of Occult Philosophy, the great encyclopedia of natural, celestial and ceremonial magic, and read Pico and Bruno as the philosophical frame behind it, with Paracelsus, Trithemius and Dee as its medical, angelic and mathematical neighbours. Della Porta’s Natural Magick shows the experimental, almost scientific side of the same culture. These authors wrote in Latin for learned readers and were often cautious about how openly they spoke; notes and introductions in the English editions help. The shelf rewards comparison: the same ideas of sympathy, harmony and the world-soul appear in medicine, music, astronomy and religion across the period.

On This Shelf (28)

The Magus

Francis Barrett

The Magus

Francis Barrett

English · Grimoires

Cantus Circaeus

Giordano Bruno

Cantus Circaeus

Giordano Bruno

English · Occult Philosophy

Theses De Magia

Giordano Bruno

Theses De Magia

Giordano Bruno

English · Occult Philosophy

Natural magick

Porta, Giambattista della, approximately

Natural magick

Porta, Giambattista della, approximately

English · Occult Philosophy

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